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+3angevinou Christelle lyly Ford 7 participants | Auteur | Message |
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lyly Ford Modérateur
Nombre de messages : 1470 Age : 39 Date d'inscription : 18/03/2006
| Sujet: scripts scène skate Mer 21 Juin - 20:24 | |
| bon je suis étonnée vous avez pas de ça ici alors je vais m'en charger^^ mais j'ai pas tt mais au fur et à mesure je majerais epi 101 PILOT partie 1bon je vous mets au passage ce que j'ai trouvé sur l'âge des autres persos - Citation :
- SLIGHTLY WIDER on the Man's face as he stares upward,
disoriented, stunned. 40-years-old. Fit. In normal circumstances, one glance would make you feel confident in him. Trusting. But here, now, he's the one in trauma. - Citation :
- With the DEAFENING VOLUME of the jet drowning out any
dialogue, we see Jack YELLING for TWO MEN close by (one of them is LOCKE, 58, je le croyais pas si vieux someone else we'll get to know in a bit) -- they run over and help -- and the three STRAIN HARD as they lift the chair sections off -- Jack then moves to the man -- whose leg BLEEDS SEVERELY on sait l''âge de sawsaw et charlie là ^^ - Citation :
- A fifty-yard distance from the wreckage, a fellow survivor
stands here, staring almost angrily at the wrecked plane. He's 35, handsome, with a cocky, self-centered vibe. And he's smoking. Meet SAWYER. A few others recover about here -- including another Man, who approaches. 25. English rocker. Self-deprecating -- somewhere between an adult and a child. This is CHARLIE. These two have never spoken. CHARLIE -- You, uh... s'cuse me, ya sure you should be smoking--? SAWYER -- You sure you want me to shove my foot up your ass? A beat. CHARLIE Okay. Excellent, just... thought I'd raise it. Charlie walks off. A beat later, he returns -- CHARLIE (CONT'D) -- Mind if I... bum one then? Thanks... Charlie takes a cig from tough Sawyer, then walks off. epi 102 Pilot partie 2 - Citation :
- KATE
What -- ? But Jack is already pulling his pack off, immediately enters the fray, pulling the men apart -- JACK -- All right, ENOUGH! SAYID I’ve had enough of this guy! You accuse me of being a criminal?! What next? I suppose you think I am responsible for the crash! SAWYER You’ve had enough of me?! If the shoe fits, buddy! Look around! They all know it’s you! I’m just the only one SAYING it! JACK (CONT’D) HEY! What the hell --? Michael is here, holds up the pair of CUFFS -- MICHAEL My kid found these out in the jungle. On Jack. Kate. Charlie. All digesting this as... SAWYER (finger in Sayid’s face) And this guy was in the back row of business class the whole flight. Never got up. Hands folded under his blanket. And for some crazy reason -- I’m just pointing this out -- the guy I saw next to him didn’t make it. Do the math -- (nose to nose with Sayid) You’re the prisoner, muchacho. SAYID Thank you so much for observing my behavior so very carefully -- -- If you do not take your finger out of my face -- SAWYER You think I didn’t see them pull you out of line before we boarded? -- Oh, please -- bring it-- And they’re about to go at it all over again when -- KATE STOP! And they do. All eyes on Kate. Strong. Defiant. Angry. KATE (CONT’D) We actually DO have bigger problems than this. (beat, pulls the TRANSCEIVER from Jack’s pack) We found the transceiver. But it’s not working. Can anybody help...? A beat. Then, of all people, Sayid steps forward. Turns back, looks directly at fuckin’ Sawyer. SAYID Yes, I might be able to. SAWYER Oh yeah, good! This guy! Perfect! Let’s trust him -- ! HURLEY Hey -- we’re all in this together, man. Let’s try to treat each other with -- SAWYER Shut up, lardo. JACK HEY -- Give it a break. SAWYER (fuck you) Whatever you say, Doc, you’re the hero. And Sawyer walks off, passing Jack, BUMPING him as he goes. Jack watches him, not liking him one bit -- - Citation :
- Sawyer watches them go as he sits on part of the shattered
wing, near the remains of one of the enormous engines. He's taking final drags on a cig. In general, a "fuck 'em all" attitude. After a beat, something weighing on his mind, he pulls his wallet from a back pocket. Opens it. Pulls out a folded piece of paper. Unfolds it. TIGHT on Sawyer's face as he re-reads the page. And slowly... his face changes. His eyes awash in concern... and, more surprisingly, vulnerability. He just stares at the mysterious letter... his eyes actually WELLING UP with what he reads.j'adore cmt josh joue ce passage Finally, quickly, he re-folds it -- puts it back in his wallet, more anxious and troubled than we've seen him. He finishes the cigarette and puts it out on the damn airplane that brought him here. He gets up and moves off, quickly, after the others. 120 EXT. JUNGLE - DAY 120 On Kate, with Sayid at the head of the group. Charlie, Shannon and Boone behind her in that order. They're just entering the jungle -- the growth gets thick quickly. And now we CUT BACK TO SAWYER, who moves quickly, determined, through the jungle -- passing Boone, Charlie, Shannon -- then Sayid and KATE, who he looks at, walking with her for a moment. Their eyes lock. She's surprised -- and not pleased. j'adore KATE Decided to join us? SAWYER Yeah, looks like it. KATE What changed your mind? SAWYER (mind your own business) I'm a complex guy, Sweetheart.mon passage And Sawyer keeps walking, taking the lead. Kate wanting to tell him off -- but not. And we... - Citation :
- Another WIDE SHOT. Different area, some time later. And our
GROUP arrives, hiking through. As they do: SAWYER Okay. Wide open space. (to Sayid) You should check the radio -- see if we're good. SAYID We're not gonna have any reception yet -- SAWYER -- Tell you what -- just try it. SAYID I don't want to waste the batteries -- SAWYER -- I'm not asking you to keep it on all day -- SAYID -- We're still blocked by the mountain -- SAWYER -- Just check the damn radio! SAYID If I just CHECK, we might not have any juice left when we get to -- A sudden RUMBLE -- they all turn to look toward the SOUND, coming from the OVERGROWN GRASS FIELD -- something LOUD -- something COMING, FAST -- and they all FREEZE, afraid -- BOONE -- The hell's that? SHANNON (quiet, sudden panic) -- oh God -- And they all turn to look -- to the distant, tall-growing GRASS -- PUSH IN on our characters -- KATE -- KATE ...Something's coming -- Then we SMASH CUT TO: EXT. TALL GRASS - DA129 Y 129 -- We're RIPPING THROUGH THE GRASS at a SIDE-ANGLE -- A VIEW OF THE LEGS OF THIS CHARGING, SNORTING BEAST -- BUT IT'S MOVING SO FUCKING FAST THAT IT'S JUST A LOUD, HORRIFYING BLUR and just as fast we SMASH CUT BACK TO: 130 EXT. JUNGLE - DAY 130 WHIP TO CHARLIE, TERRIFIED if under-stated: CHARLIE (choked voice) -- Coming towards us, I think...? -- Hell yeah, it is -- a hundred yards away and closing -- it's BIG, it's CHARGING, and it's KICKING UP DUST in the over grown grass -- 131 EXT. TALL GRASS - DAY 131 -- Another FAST, LOUD BLUR of a CHARGING CREATURE and -- 132 EXT. JUNGLE - DAY 132 -- Kate's been through too much now -- she grabs Charlie and the two run off -- KATE LET'S MOVE! The RUMBLING CHARGE -- A SNORTING BEAST GETTING LOUDER -- Shannon just stands there, SCREAM-SHRIEKING OUT OF HER MIND: SHANNON I SHOULDN'T HAVE COME ON THIS!!! -- And Boone grabs her and YANKS her away and Kate is RUNNING to, she turns back to Sawyer, who stands there alone, intensely facing whatever's coming -- and Kate yells: KATE SAWYER, COME ON!!! NO, SAWYER!!! SAYID LET HIM GO! But Sawyer doesn't move -- instead he does something wildly surprising: HE PULLS OUT A GUN AND BEGINS FIRING AT THE APPROACHING THING! BAM! BAM! BAM! And Kate and the others stop, shocked, watching in out-of breath horror as Sawyer FIRES, AGAIN AND AGAIN and the thing gets CLOSER AND CLOSER UNTIL SAWYER'S GUN FIRES OUT AND SUDDENLY, EXPLODING FROM THE BRUSH: A GIANT FUCKING ANIMAL BURSTS OUT, FALLING TO THE DIRTY GROUND, DEAD -- BLEEDING -- and heaving its last breaths only two feet away from Sawyer, who stares, in shock... ...At a giant WHITE BEAR. And now we're on Charlie, Shannon, Sayid and Boone -- all of them, in total mind-bending shock at what's just happened. Out of breath, they all walk over to the beast, which inhales and then exhales for the last time. A long beat, then: SHANNON (CONT’D) ...That's... that's a big bear. BOONE -- You think... that's what killed the pilot? Kate throws a look at Charlie -- this is exactly why he should have kept his mouth shut. But as the cat is already out of the bag -- CHARLIE That? No. No, that's maybe a little tiny preemie baby version -- this is nothing compared to that -- KATE -- Guys? This isn't just a bear. (beat) It's a polar bear. And they're all staring, incredulous.. - Citation :
- SAWYER
Did. Did. You're welcome for that. And Kate turns to him. Tough. KATE Where did that come from. SAWYER Prob'ly Bear Village. How the hell do I know -- KATE -- Not the bear, the gun. SAWYER I got it off one of the bodies. SAYID (confronting him too) One of the bodies. SAWYER (fuck you) Yeah, one of the bodies. SHANNON People don't carry guns on planes! SAWYER They do if they're a U.S. Marshal! There was one on the plane -- KATE -- How do you know that?! SAWYER 'Cause I saw a guy lying there with an ankle holster -- so I took the gun, thought it might come in handy, guess what, it did! KATE -- Why do you think he was a Marshal? SAWYER Because he had a clip-on badge! (WHIPS OUT THE BADGE, angry) Took that too! Thought it was cool! Listen, Sweetheart, you should be kissing my ass after what I just did for you! il le dit ça dans l'epi ? SAYID I know who you are. You're the prisoner. SAWYER (beat) ...I'm the what? SAYID You found a gun on a U.S. Marshal? Yes, I believe you did. You knew it was there because you were the one he was bringing back to the States. Those handcuffs were on you. (everyone stares at Sawyer, nervous) That's how you knew there was a gun -- SAWYER -- Hey, guess what, screw you! SAYID That's who you are, you son-of-a-bitch! SAWYER Be as suspicious of me as I am of you -- go ahead! SAYID You accuse me, but you are the prisoner! SAWYER -- Fine, I'm the criminal! You're the terrorist, we can all play a part! (to Shannon) Who do you wanna be? I'll tell ya what you should be! And in the middle of their argument KATE GRABS THE GUN FROM SAWYER'S PANTS -- Sawyer swings around -- SAWYER (CONT'D) HEY! But Kate stands there, defiantly holding the gun on Sawyer. Everyone just freezes -- TENSE -- KATE Who knows how to use a gun? CHARLIE I think you just pull the trigger. But Kate, we just escaped death, let's not push our luck -- KATE I want to take it apart. CHARLIE -- Oh -- SAYID There's a button on the grip -- push that, it will eject the magazine. And Kate does it: it POPS out with a solid metallic SNAP. SAYID (CONT'D) But there's still a round in the chamber -- hold the grip, pull back on the top part of the gun -- She does that -- the bullet POPS out. She tosses Sayid the clip. She picks up the bullet. Hands Sawyer the worthless gun. He takes it, somehow amused by her. SAWYER I know your type. KATE I'm not so sure. SAWYER Yeah, I've been with girls like you. KATE Not girls exactly like me. Sawyer's amused by her. And he just walks away -- and we HOLD ON KATE for a long beat as she watches him go putain quand tu vois la scène on précise pas tt les jeux de regards et tt et putain le jeu d'acteur qu'ils ont fait
Dernière édition par le Ven 29 Déc - 14:25, édité 3 fois | |
| | | Christelle Administrateur
Nombre de messages : 1094 Age : 43 Localisation : Nord Date d'inscription : 27/06/2005
| Sujet: Re: scripts scène skate Mer 21 Juin - 20:35 | |
| merci bcp pour tous c script | |
| | | lyly Ford Modérateur
Nombre de messages : 1470 Age : 39 Date d'inscription : 18/03/2006
| Sujet: Re: scripts scène skate Jeu 22 Juin - 0:27 | |
| j'ai pas finit mais je devais sortir lol mais je suis re ^^ en plus on a eu outlaws la sem dernière epi 104 : Walkabout - Citation :
- Kate turns to cross away, only to find Sawyer’s there to
greet her, with his usual smirk. SAWYER The mighty huntress returns. -- What’s for dinner, honey? KATE Not now. She crosses off. He watches her go, a little chagrined. epi 105 : white rabbit - Citation :
- SAWYER. Smoking a cigarette.
Completely oblivious to the fact that he’s just been picked out of a lineup. BACK WITH KATE AND SAYID KATE Sonofa...
And Kate is set to rip Sawyer’s fucking head off, but... Sayid grabs her arm. SAYID I don’t see the water. KATE So? SAYID You go after him now, he’ll give you nothing. But if you wait... (beat) A rat will always lead you to its hole. And OFF KATE, knowing he’s right but not happy about it. And as NIGHT finally falls on the BEACH... - Citation :
- SAWYER. And we’re close on him as he POPS OPEN one of the
suitcases revealing an array of goodies - SUNTAN LOTION, BUG SPRAY, CANDY, CIGARETTES, LIGHTERS, MEDICINE, ALCOHOL... And as he reaches for a pack of the SMOKES... The CRACK of a twig behind him! SPINS AROUND in time to see - 44 KATE RUSHING HIM. 44 It’s a flat-out fucking TACKLE and this girl really fucking knows what she’s doing because in a matter of seconds -- She’s PINNED Sawyer -- her KNEES pressing hard into his shoulders -- a provocative position under any other set of circumstances. As soon as Sawyer recognizes his attacker -- SAWYER It’s about time. KATE (fierce) About time for what? SAWYER I made this birthday wish four years ago. Kate’s eyes BURN as SAYID emerges from the jungle -- SAYID Does he have it? SAWYER What? You two follow me out here? I wanna see a warrant! KATE -- Where’s the water, you-- And Sawyer suddenly PUSHES UP, TWISTS -- ROLLS OVER -- and now he’s pinning Kate down -- He GRINS, out of breath -- SAWYER That’s better. KATE -- Get off me... But Sayid is already there, PULLS Sawyer up, PUSHES him -- Fed up with the cutesy bullshit -- SAYID Give the water to us now. SAWYER (pissed) Touch me again. Kate gets up, moves to the SUITCASES. Pulls them open -- More BOOZE, SMOKES, ELECTRONIC EQUIPMENT -- But NO WATER -- SAWYER * You really think I stole your damn water? SAYID We know you gave two bottles to the Korean couple... Sawyer takes a step forward -- gets in Sayid’s FACE -- SAWYER * I don’t give nothin’ to nobody. KATE * It’s not here. * SAWYER * (real slow so Sayid can * understand) I traded Mr. Miyagi the last water I had for a fish he caught -- we worked it out caveman-style. KATE (skeptical) You gave up your last two bottles? SAWYER Water has no value, Freckles -- it’s gonna rain sooner or later. * And hell, I’m an optimist. * And there’s something about him -- despite the fucking bravado -- that makes it instantly clear that Sawyer is absolutely INNOCENT. He’s telling the truth. So they’re back to square one. And still without water. Sayid turns to Kate -- SAYID Come on, let’s go. Sayid starts back into the jungle as Kate levels Sawyer with a look. He just SMILES. Kate shakes her head, goes to follow Sayid when -- SAWYER Hey. You forgot something. Kate turns as Sawyer tosses her a large LEATHER WALLET. Kate is confused... but FLIPS IT OPEN TO REVEAL -- IT’S THE MARSHAL’S BADGE. SAWYER Seeing as you’re the sheriff now, might as well make it official. Ah. The IRONY. But Kate KEEPS the badge. Slides it into her pocket as she heads back to the beach. Sawyer watches her go, pops a smoke into his mouth. And as the FLAME flicks from his lighter -- epi 106 : House of the Rising Sun j'adoreeeeeeeeeeeeee ce passage mais encore plus now - Citation :
- Kate. Sitting. Looking at the sea, letting the water hit
her toes, a near-perfect moment wrecked by Sawyer’s arrival. SAWYER Well well well, if it ain’t the Belle of the Ball. (off Kate) So what’s it like having both the doctor and Cap’n Falafel fighting over you? Although Kate shoots Sawyer a “go to hell” glare, it is clear from their interaction that they too have a spark - different from the emotional bond she shares with Jack, but it’s there: SAWYER (CONT’D) Just calling ‘em like I see ‘em, freckles. Truth be told, I’m not the only person wondering where you’re going to weigh in on this whole “moving off the beach” thing. KATE Please. SAWYER Hey -- Jacko may be saving lives, but everyone here knows you went to get the transceiver, and hunt boar, and send the distress signal... even if they don’t know how that worked out. Kate looks at Sawyer - and the plainness of her question makes it clear that she DOES care what he says and does: KATE Are you going? SAWYER That’s the real trick, isn’t it? We all pack up stakes to the caves, and the next day a plane passes by - they’re gonna go on their merry way and be none the wiser... On the other hand, you stay here and get eaten by boars or fall off a rock - there isn’t gonna be anyone around to answer the 911 call, am I right? KATE You didn’t answer my question. SAWYER You didn’t answer mine. And I asked first. (getting up) Sayonara, sugarpop. And OFF Kate as she watches him go... | |
| | | angevinou Fugitive/Arnaqueur
Nombre de messages : 235 Age : 38 Date d'inscription : 21/06/2006
| Sujet: Re: scripts scène skate Jeu 22 Juin - 0:30 | |
| arf je suis nulle en anglais dommage que t'es pas la version française en stock | |
| | | lyly Ford Modérateur
Nombre de messages : 1470 Age : 39 Date d'inscription : 18/03/2006
| Sujet: Re: scripts scène skate Jeu 22 Juin - 1:24 | |
| dslée mais le passage en gras ça veut dire qu'il y a des étincelles entre eux différentes de celle qu'elle a ac jack epi 107 : The Moth - Citation :
- CLOSE ON KATE’S MUGSHOT. WIDEN to reveal it’s being held by
JACK, standing over a leather bag full of medical supplies. He’s TOTALLY FOCUSED on the photo in his hand, staring at it wistfully, when he hears: KATE (O.S.) I take better pictures than that. * Jack spins to face -- KATE, smiling unsurely. Happy to see * Jack despite what he’s holding. Trying to make light of it -- * CONVERTED TO PDF BY -- STORYTELLER KATE (cont’d) * Smaller, too. I mean, if you’d * like something for your wallet. * He looks at her a beat, almost sadly. JACK Just came to pick up a few things. He hands Kate her mug shot. The ROAD BLOCK between them. JACK (cont’d) This, uh... It was with my stuff. Kate takes the photo, folds it up -- MEMORIES HERE. Jack goes back to packing up his things. * KATE So... You’re not staying. JACK Hurley and I... We’ve been checking out in the valley... (pointedly) And they’re a hell of a lot safer than living out here on the beach. KATE You’re mad at me. He stops packing to look at her. JACK No. Kate, I’m-- I just don’t understand why you won’t come with me -- us. The caves are-- KATE We crashed eight days ago. I’m not * setting up house here, Jack. * JACK Look, I want off this island too. But we both know that’s not gonna * happen anytime soon. They stand in silence for a beat, then... KATE * Sayid... He has a plan... JACK To find the source of the distress * signal. Yeah. I remember. KATE The transmission’s coming from somewhere on the island. If we can * find it -- JACK -- That signal’s been playing on a * loop for sixteen years. The woman * who left it wasn’t rescued, what makes you think it’ll be different * for us? * KATE (after a beat) Because I believe it. Jack eyes her a moment. JACK I wish I shared your faith. SAWYER (O.S.) Wouldn’t mind sharing a few things with her myself. They both turn to see SAWYER strolling up, a bag slung over * his shoulder. There’s no love lost between him and Jack. * KATE What do you want, Sawyer? SAWYER Not a thing, sweetheart. Heard the doc here was vacating the premises. Thought I’d best lay claim to my new digs before somebody else does. He tosses his bag into the tent. Jack can’t fucking believe this guy -- JACK I didn’t build this for you to live in -- it’s an infirmary. SAWYER Not without a doctor around it ain’t. Yep, I could fix this place up real nice. (turning his gaze to Kate) Maybe even find someone to share it with me. Kate rolls her eyes, digusted. Jack doesn’t have time for this High School shit -- Hoists the leather bag... JACK Fine. Take the tent. KATE Jack... JACK I’ll see you later. And Jack goes. Sawyer comes up behind her. SAWYER Offer on the tent stands, Freckles. * Think about it. * Kate throws him a glare, moves off. Sawyer smirks as he * calls after her... * SAWYER (cont’d) * C’mon -- You don’t wanna be out * there all alone, do ya? - Citation :
- CLOSE ON KATE, an ICY expression on her face... *
KATE Why don’t I believe you? WIDEN to see she’s addressing a lounging SAWYER, his battered * copy of “WATERSHIP DOWN” on his lap. * SAWYER Couldn’t say, cupcake. Most folks think I got a trustworthy face. Or so they tell me. KATE * You’ve been hoarding like a packrat since the crash and you don’t have a single laptop?! * Sawyer studies Kate. Smiles. SAWYER We are testy, aren’t we? Still upset about your little breakup? KATE What? SAWYER Musta hurt bad when Doc came back for his record collection... (just plain mean) Cause now there’s nothing for him to come back for. * And Kate just looks at him. Then speaks to him evenly -- KATE God, it must be so exhausting... * SAWYER * What’s that? * KATE * Living like a parasite. Always * talking, never giving... SAWYER Boy, you sure got me pegged. KATE I get it now. It all makes sense. You don’t want to get off this island because there’s nothing for you to go back to. There’s no one * you miss. And no one misses you. SAWYER Awww. Feelin’ sorry for me. How * sweet. KATE I don’t feel sorry for you. (simple; true) I pity you. Sawyer just sits there for a MOMENT. Then he reaches into his bag again and brings out a LAPTOP. He slides the BATTERY out, TOSSES it to her -- SAWYER All you had to do was say please. Kate stares at him a beat, then turns and goes. ON SAWYER, * watching her, his glib smirk melting away for just a second, showing he might just’ve been STUNG... - Citation :
- KATE continues to trek through the jungle with Sayid -- when
they hear a rustle in the underbrush -- STOP -- NERVOUS -- * SAYID Something’s coming -- SAWYER emerges from the jungle. Kate shakes her head -- * KATE What the hell are you doing here? SAWYER (winded) Easy. I just came to tell you * something -- KATE (harsh tone) * What makes you think I’m interested * in anything you have to say to me? * SAWYER, taken aback by this reception. After a beat... SAWYER Came to tell you... You were right. (off her look) About me. That I don’t help anyone * but myself. Well, here I am. * Ready to pitch in. Are Sayid and Kate skeptical? Fuck yeah. KATE You’re here to help? SAWYER Hey -- You act any more surprised, I’m gonna be insulted. And OFF KATE, wondering what Sawyer’s up to -- no idea that he’s sitting on the news of the cave-in -- WE FIND -- - Citation :
- SAWYER, sitting in the shade of a tree watching Kate as she *
scans the horizon, checking her watch constantly. * SAWYER Still ain’t five. Just like the last time you checked your watch. KATE I just don’t want to miss Sayid’s signal. Remember, I’ll fire the flare, you switch on the antenna. SAWYER Thank the good Lord I got you here to keep reminding me. Kate shoots him a look, then focuses back on the horizon. * After a beat... SAWYER (cont’d) So what do you see in that guy, anyway? (off her look) Jack. What is it about him that makes you go all weak in the loins? KATE Do you try to be a pig, or does it just come naturally? SAWYER * It’s that he’s a doctor, right? * Ladies always dig the doctors. Hell -- Give me a couple band-aids, bottle of Peroxide and I could run this island, too -- KATE You’re actually comparing yourself to Jack? SAWYER * Difference between us ain’t all that big, sweetheart. I guarantee if he’d survived a few more weeks * on the island, you’d have figured * it out -- * KATE What did you just say? Sawyer looks at her, unsure what she means. KATE (cont’d) You said ‘if he’d survived a few * more weeks...’ What does that -- * Sawyer realizes he’s BUSTED. He manages a smirk -- SAWYER Aw... damn. Didn’t I tell you? * Word from the valley is Saint Jack got himself buried in a cave-in... KATE What?! SAWYER Hey, look at the bright side... * (brutal) Now you got someone else to pity. Shit. The man holds a GRUDGE. Kate stares at him in shock. * And just when we think she’s gonna rip his fucking head off -- * She throws the bottle rocket to the ground. Turns. And RUNS. * ON SAWYER, his spiteful expression dissolving into something like REMORSE. He picks up the bottle rocket by his feet, regards it for a moment, before looking after her again... | |
| | | angevinou Fugitive/Arnaqueur
Nombre de messages : 235 Age : 38 Date d'inscription : 21/06/2006
| Sujet: Re: scripts scène skate Jeu 22 Juin - 2:03 | |
| arf tant pis pour moi dècidèment langlais men voudra jusqu'au bout lol | |
| | | lyly Ford Modérateur
Nombre de messages : 1470 Age : 39 Date d'inscription : 18/03/2006
| Sujet: Re: scripts scène skate Jeu 22 Juin - 3:03 | |
| si j'ai le tps je te traduirais mais en fait c 'est les epis mais on cherche juste cmt sont tournés certaines scènes | |
| | | kiout Fugitive/Arnaqueur
Nombre de messages : 229 Age : 37 Date d'inscription : 06/05/2006
| Sujet: Re: scripts scène skate Sam 24 Juin - 14:49 | |
| wah c'est sympa tout ca! | |
| | | lilas6210 Apprenti fugitive/arnaqueur
Nombre de messages : 13 Date d'inscription : 04/03/2006
| Sujet: Re: scripts scène skate Dim 17 Sep - 13:10 | |
| tu t'investit toujours a fond lylly et c'est tant mieu, continue comme ça !! | |
| | | Irlandia Apprenti fugitive/arnaqueur
Nombre de messages : 63 Age : 39 Date d'inscription : 21/07/2006
| Sujet: Re: scripts scène skate Dim 17 Sep - 20:22 | |
| Merci Lyly pour tous ces transcripts. | |
| | | lyly Ford Modérateur
Nombre de messages : 1470 Age : 39 Date d'inscription : 18/03/2006
| Sujet: Re: scripts scène skate Lun 18 Sep - 14:09 | |
| epi 108 : Confidence Man - Citation :
- EXT. BEACH - SECLUDED AREA - DAY (DAY 1 9) 1 *
A LONE FIGURE walks down the beach. We’re nowhere near the WRECK. This is straight up PRISTINE. And the figure is -- -- KATE. Carrying canvas bags overflowing with BANANAS as she comes upon A PILE OF CLOTHES, folded neatly beside A PACK OF CIGARETTES and a worn PAPERBACK of WATERSHIP DOWN. Curious, Kate kneels to examine the book -- then, a SHOUT -- SAWYER (O.S.) Helluva book. * Kate stiffens, turns to the WATER. Finds SAWYER, barechested as he wades back to land. Smiles -- SAWYER (CONT’D) It’s about bunnies. * Sawyer emerges from the water, walking toward her. The look on Kate’s face says it all as he steps into frame to reveal -- -- he’s BARE-ASS NAKED... and yeah, he could put his clothes on, but nope, he’s gonna stand here, waiting for a reaction. Kate just looks at him -- and he just looks at her. Daring her eyes to drop. Finally: KATE Water’s cold, huh? Ouch. But Sawyer GRINS -- SAWYER You bet. How ‘bout you come a little closer and warm me up? Okay, she reviles the guy, but damn if there isn’t chemistry here. Not that she’d ever cop to it. KATE Does this ever actually work? SAWYER Depends on what you mean by “this?” KATE This. This macho... SAWYER -- “Macho?” Ain’t heard that one in awhile. Makes me wanna grow a mustache. Kate just shakes her head. Why fucking bother? KATE You sure know how to make a girl feel special, Sawyer. We PUSH IN TIGHT ON SAWYER as Kate walks off -- - Citation :
- And so, Sawyer gets up. Jack takes a step toward him -- so
ready to fucking rumble that he misses the arrival of -- KATE (O.S.) What’s going on. -- Sawyer turns to see KATE. SAWYER We were just exchangin’ recipes. * Jack REACTS to Kate’s presence. FUCK. Doesn’t want to kick * Sawyer’s ass in front of her. Eager to take advantage of * this, Sawyer flashes that GRIN -- SAWYER (CONT’D) * Sorry we couldn’t work things out, * Doc. * And as Kate wonders what she just stepped into, we STAY WITH * SAWYER as he walks off -- CLOSING in and once we’re TIGHT, * PAN DOWN to see his fist closed tightly around THAT LETTER . - Citation :
- KATE
Let me talk to Sawyer. JACK -- What? KATE * I can reason with him. JACK This guy doesn’t know reason. KATE Maybe not. But my plan is still better than yours. Jack looks at her. Fortunately, he likes Kate more than he hates Sawyer. Smiles despite himself. JACK What makes you think he’ll listen? KATE He says we have a connection. * And although he’s probably not aware of this consciously, Jack might just be a little JEALOUS when he says: JACK Do you? KATE Please. And as we can’t help but notice that wasn’t exactly a denial... - Citation :
- REVEAL SAWYER, sweating as he tosses the pieces into a PILE.
He reaches for another piece of DRIFTWOOD AS -- KATE (O.S.) So what do you want? Sawyer glances to see KATE, but just keeps on chopping: SAWYER ‘Scuse me? KATE What do you want, Sawyer? SAWYER Freckles, I got so many answers to * that question I wouldn’t even know where to start. KATE What do you want for the inhalers? SAWYER Huh. Good question. Hang on a tick. What do I want? CRACK. Splits another piece of wood. Then, turns to Kate. SAWYER (CONT’D) A kiss ought to do it. KATE What? SAWYER A kiss. From you. Right now. Kate just stares. He can’t possibly... but he stares back. Yeah. He’s serious. Kate shakes her head, ANGRY now -- KATE I don’t buy it. SAWYER -- Buy what? KATE The act. You try too hard, Sawyer. I ask you to help a sick woman and you want me to kiss you? No one can be that disgusting. ON SAWYER, getting pissed. Why? Because maybe Kate’s a little close to the mark here. And she’s not done -- KATE (CONT’D) I’ve seen you, y’know. SAWYER Seen me what? KATE With that piece of paper. The one you keep in your wallet. I’ve seen your face when you read it. And the way you fold it up so carefully. It means something to you. So play your games all you want -- but I know there’s a human being in there somewhere. (beat: compassionate) Give me the medication. Please. And that just sits there for a few beats. Just let it sink in. Did she actually get through to him? Then: SAWYER You think you understand me? KATE Yeah. I think I -- SAWYER -- Shut up. Kate recoils. The pure VENOM in Sawyer -- not the playful rogue we’re used to. No. This is serious. SAWYER (CONT’D) Wanna know what kind of human being I am? And he reaches into his pocket. Removes the ENVELOPE. SAWYER (CONT’D) Read it. Kate takes a few steps back -- scared -- but he grabs her wrist. TIGHT. Stuffs the letter into her other hand. SAWYER (CONT’D) Read it. He lets go of her, but doesn’t step back. Let there be no misunderstanding here -- Kate better fucking do what he says. So she unfolds the letter. A beat. Then: * KATE “Dear Mr. Sawyer. You don’t know who I am. But I know who you are. * And I know what you done. You * slept with my mother... (beat; slower now) And then you stole my dad’s money all away. So he got angry and he killed my mother. And then he killed himself, too.” SAWYER Don’t stop now. You’re gettin’ to the good part. Kate looks at him. Trying to process all this. Not wanting to continue, but not really having a choice. KATE “All I know is your name. But one of these days I am gonna find you and I am going to give you this letter so you’ll remember what you done to me. (beat) You killed my parents, Mr. Sawyer.” And that’s it. Sawyer waits a moment. Hoping Kate’s eyes will come back up to meet his... ...but she can’t. He reaches out, snatches the letter and gets in real close -- his voice part whisper, part GROWL -- SAWYER (more a vitriolic “fuck you” than any real request) Now how ‘bout that kiss. But of course Kate is just frozen -- stunned -- and so, after * a long beat. * SAWYER (CONT’D) * ...I didn’t think so. * And Sawyer turns and walks away. But we’re settling into an * ECU OF KATE -- stricken. And as her eyes finally come up to him go... - Citation :
- HANDHELD. INTENSE. Jack & Sayid, fierce determination,
literally DRAGGING an unconscious Sawyer off the beach. FIND KATE riding in their wake -- KATE What are you doing? SAYID We’re solving a problem. Do not concern yourself. KATE (catching on) You’re going to torture him? Jack’s eyes FLASH. But he says nothing. Ain’t happy about it, but COMMITTED to it. He and Sayid have now reached the TREE LINE. Kate reaches out, grabs him by the arm -- KATE (CONT’D) Jack -- if you do this... (beat) You’re no better than he is. JACK This was his choice. Not mine. And with that, he gently pulls his arm out of her grasp and disappears into the JUNGLE. OFF KATE -- - Citation :
- The CAMERA pans off various beach dwellers, reacting to the
DISTANT SCREAMING coming from the jungle, looking at each other, perplexed... We HEAR a couple ad-libs -- “Oh my god.” and “It’s about time someone did something about him.” as we-- PAN OVER to CLOSE-UP ON KATE, staring off into the jungle knowing all too well what that sound it... - Citation :
- But Sayid is moving the knife even CLOSER. MACRO-CLOSE. And
he’s actually gonna fucking do it -- SAWYER Okay! Okay, you win. Sayid holds the knife steady -- SAYID Where is it? A beat. Then -- SAWYER Only person I’ll tell -- (directly to Jack) Is her. Jack knows exactly who “her” is. Sayid looks at Jack, his knife still poised at Sawyer’s eye. JACK * ...Kate? * SAYID He’s stalling... SAWYER That’s the deal. * (serious) Take it or leave it. ON JACK, actually considering Sawyer’s offer as we hear a GRAVELLY VOICE -- KILEY (PRE-LAP) Tell me, Sawyer - do you want to die? - Citation :
- We came back OUT OF SAWYER’S HEAD to find --
JACK standing, looking down at Sawyer -- arms still trussed behind the tree. His eyes come up, full of VENOM for Jack. But what Jack offers in return is CURIOSITY -- JACK What’s your problem, Sawyer? And that just hangs there for a few moments. And we’re anticipating Sawyer’s response when -- NOISE from the surrounding jungle. Jack turns to see -- SAYID returning. Behind him, KATE. And as soon as she sees Sawyer tied up like an animal -- no matter what she thinks of the guy -- There’s a flash of VULNERABILITY. SAYID Okay. She’s here. Now tell us. SAWYER Uh uh. No. (beat) I want to talk to her alone. Jack uncrosses his arms -- PISSED -- Sayid already moving back towards Sawyer -- SAYID You are through making requests... KATE Stop. (then) I’ll be okay. Just go. Let’s get this over with. SAWYER You heard the lady. Scram. Man... Jack want to YANK this guy’s head off, but -- KATE Jack -- (he looks at her) I’ve got it. A BEAT. Jack turns his look to Sawyer, who offers up this shit-eating GRIN. Back to Kate -- JACK We’ll be close. And as Jack and Sayid (grudgingly so) walk off into the jungle, CAMERA DROPS DOWN on the OTHER SIDE OF THE TREE to find -- SAWYER twisting his wrists around inside the bungee rope binding them -- starting to working himself free. malin^^ Kate oblivious to this as she approaches him. Matter-of-fact tone undercut by concern -- KATE What did they do to you? SAWYER Nothin’. Just got a manicure. KATE (shakes her head; then) So I’m here. Where is it? SAWYER Happy to tell you... (beat) Soon as I get that kiss. KATE What? -- Are you serious? SAWYER Baby, I’m tied to tree in the Jungle of Mystery and I just got tortured by a damn spinal surgeon and a genuine I-raqi. (beat) ‘Course I’m serious. Kate just looks at him. Not knowing quite WHAT to think. SAWYER (CONT’D) You’re not seeing the big picture here, Freckles. You really gonna let that woman suffocate ‘cause you can’t bring yourself to give me a little kiss? Hell -- it’s only first base... lucky for you I ain’t greedy. I’m making it real simple here -- you wanna be a hero or not? ON KATE. Yeah. It’s fucking ridiculous... But dammit if he doesn’t make a compelling argument. And dammit if there isn’t a strong contingent of women out there watching this show who WANT her to do it. And we can see the moment in which she makes up her mind. KATE Okay. SAWYER Okay. Kate approaches him. Squats down on her haunches. Gets close. Looks into his eyes. He looks back. And her is the first kiss on LOST. What makes it interesting is that even though it starts out as a chore -- a necessity -- somewhere about three or four seconds in, it becomes something ELSE. And just before it actually goes from something else to REAL...Kate pulls away. And we milk this delicious moment afterward for all it’s worth. And despite the insanity of the circumstances under which it happened, both of them felt something. Finally -- * and when Sawyer talks to her now, it’s softer -- that kiss * did something to him -- some of his swagger is gone -- he’s * just a man now -- * SAWYER (CONT’D) I don’t have it. KATE What? SAWYER The medicine. I don’t have it. Never did. WHAT? Kate’s head is spinning -- KATE Your book -- they said you got it out of their suitcase... SAWYER Went in the drink with the rest of the damn luggage from the tail. Book washed up on shore. SAWYER (CONT'D) Had to dry it out, but it’s still a damn good read. You’d like -- * SLAP! We didn’t even see Kate’s hand move. Sawyer’s face rocks to the side. Damn -- she hit him hard. Sawyer turns back to her, blood trickling from his lip -- But she’s already walking away. | |
| | | lyly Ford Modérateur
Nombre de messages : 1470 Age : 39 Date d'inscription : 18/03/2006
| Sujet: Re: scripts scène skate Lun 18 Sep - 14:58 | |
| suite ^^ - Citation :
- Kate strides up to JACK AND SAYID --
KATE He doesn’t have it. JACK What? SAYID He’s lying. He... KATE No. He’s not. Not about this. Jack can’t believe it. It makes no fucking sense. But while he’s stymied... Sayid is fucking INCENSED. And he UNSHEATHES his KNIFE as he heads back the way Kate came as we CUT BACK TO -- SAWYER. Working through the pain, he keeps his eyes on the prize - loosening the bonds around his wrists. * -- and they’re coming free - not a moment too soon - as * Sawyer looks up to see - SAYID arriving at the clearing - knife in hand - just as the cord finally comes undone-- Sawyer pulls his arms out and he-- *Throws himself at Sayid, holding out his arm to block Sayid’s knife. Sayid twists, THUMPS Sawyer in the KIDNEY but -- - Sawyer LUNGES for Sayid’s KNIFE HAND, grabs his wrist -- * the two in close quarters -- GRAPPLING as -- * JACK arrives at the clearing, Kate right behind him - JACK HEY HAND-HELD -- DIRTY as Sayid and Sawyer ROLL ON THE GROUND, * PLAYING FOR FUCKING KEEPS and suddenly -- * SAWYER LETS OUT A CRY OF AGONIZING PAIN. * Sayid instantly freezes -- looks down to see his white shirt * STAINED WITH BLOOD -- * But Jack is here and he’s pushing Sayid aside because - * The knife is literally STICKING OUT OF SAWYER’S ARM -- lodged * deep in his BICEP -- and it is fucking GUSHING BLOOD -- * SAYID -- He... he got loose -- * attacked me -- JACK -- You hit an artery - Sawyer in PAIN, but in some degree of SHOCK too. KATE * arrives, sees the knife impaling Sawyer’s arm -- * KATE * Ohmygod... * And Jack, medical instincts kicking in, wraps his head around * the hilt and -- * PULLS THE KNIFE RIGHT OUT! * Sawyer CRIS OUT IN PAIN - clenches down his teeth as Jack sticks his hand into the wound - trying to find the artery as Sawyer reflexively SQUIRMS -- JACK Stay still, dammit! Sawyer’s fist clench around the earth - his fingernails digging into the ground as Jack does his grim duty -- SHIT -- * Jack’s hand -- already SOAKED with Sawyer’s blood... * KATE * Can you stop it? * Jack just looks at her. Then at SAYID. And this is not * exactly a look of CONFIDENCE. Sawyer registers it... * And off these two men -- one literally holding the other’s * life in his HAND. - Citation :
- Sawyer GRITS HIS TEETH -- SEVERE FUCKING PAIN. *
Kate is here, but it’s JACK who’s holding Sawyer’s artery closed with his bare hand -- Sawyer completely dependent on Jack and hating every fucking second of it. * SAWYER Let go. Just -- leave it. (hisses through his pain) -- I know you want to. JACK Shut up. Stop moving. And the blood loss is making Sawyer a little light-headed. Almost plays DRUNK -- SAWYER You’ve been waiting for this, haven’t you? Yeah -- I’ll bet you have. You get to be a hero again ‘cause that’s what you do. You fix everything up all nice. (looks to Kate) Tell him to let go, Freckles. We already made out -- what I got left to live for? Jack REACTS to this. Looks to Kate -- her adverted gaze answer enough that Sawyer isn’t completely full of shit. SAWYER (CONT’D) Hey, Jack? You should know something -- Right now? Tables were turned? (blinking to stay conscious) I’d watch you die. And Sawyer barely manages a smile as his eyes finally CLOSE. And after a moment of COMPLETE DARKNESS - Citation :
- INT. SAWYER’S TENT - LATE AFTERNOON 35
Sawyer’s eyes FLUTTER OPEN. Groggy. And the first thing he feels is PAIN. Looks down at his ARM. THICK BANDAGE AROUND * IT. Tries to move it -- WINCES as we -- * WIDEN to find him propped up in his makeshift BED, back in his TENT on the beach. And he’s not alone -- KATE You’re lucky to be alive. Find Kate, literally sitting by his “bedside.” We should note something about Sawyer here -- He is real. SAWYER The doctor -- ? KATE Ignored you and saved your life anyway. SAWYER Where is he? KATE He headed back to the caves to check on that woman. And that’s when Sawyer notices Kate’s holding something. An ENVELOPE. His letter. And she SEES him notice it -- KATE (CONT’D) I read it again. And then again. Last couple hours -- I don’t know * how many times. * Sawyer a little vulnerable here. A little guarded -- SAWYER Why would you -- ? KATE (simple; straight) Because I’m trying to figure out why you made me read it. * (beat) * Why you beat up that man instead of just telling him you didn’t have his wife’s medication. Why you * pretended to have it anyway. * (beat) * Why you let yourself get tortured. * (beat) And the thing I kept coming up with was -- it was that you want to be hated. And maybe that’s why you made me read this letter. (opens it up; reads) “You killed my parents, Mr. Sawyer.” And now Kate SIGHS. Almost like she SHES IT. Then -- KATE (CONT’D) And then I looked at the envelope. Kate turns over the envelope and we see A COMMEMORATIVE EMBOSSED SEAL. ON SAWYER, feeling totally NAKED... KATE (CONT’D) America’s Bicentennial -- Knoxville Tennessee. 1976.” We let that sink in for a second. Then -- KATE (CONT’D) You were a kid in 1976. (then) Eight, maybe nine years old. SAWYER -- Kate... KATE This letter wasn’t written to you. (long beat) You wrote this letter. Sawyer’s eyes DROP -- holding them in a real TIGHT TWO-SHOT -- the pure INTIMACY of the moment impossible to avoid -- KATE (CONT’D) Sawyer isn’t your name, is it? And a LONG beat passes before -- SAWYER (quietly) ...It was his name. And he starts speaking slowly at first, in his own head... SAWYER (CONT’D) First heard it at my momma’s wake. My daddy didn’t get one -- You don’t get a wake when you kill yourself. (then) Was my Uncle Doug who pulled me aside. Told me it was a confidence man who killed them. Told me how he rolled into town, marked my folks. Romanced my momma, used her to get to their money. Wiped ‘em out clean, left the mess behind. Only thing the cops had was his name on a bogus business card. (beat) So I wrote that letter. Wrote it knowing I’d find him one day. (then) You want all the sad parts? ‘Cause I spent the next ten years getting passed off from one place to another. Lady from the State wrote me off -- “adjustment problems.” Don’t that just say it all? CAMERA STARTING TO PUSH IN on him now as he tells this story. A story he has probably never told out loud -- SAWYER (CONT’D) And then I was nineteen -- needed * six grand to pay off some guys I * was in trouble with. So I found a * pretty lady with a dumb husband who * had some money. * (owning it) And I got them to give it to me. (shakes his head; chuckles) How you like that for tragedy? Became the man I was hunting. * (a long beat; then) Became Sawyer. And finally, he’s done. LOOKS to Kate And she is empathetic. Vulnerable. Something about this guy is so wounded, so HURT she can identify with it. It is an * intense moment because it is so TRUE... But Sawyer quickly becomes self-aware -- doesn’t like the way she’s looking at him. And as RAW as he just was, it only takes a second for him to transform back into a WILD ANIMAL -- SAWYER (CONT’D) Don’t you feel sorry for me... * KATE What? I... SAWYER -- Get the hell out. Sawyer PULLS the letter from her hand. Kate surprised -- SAWYER (CONT’D) Get out. And Kate’s eyes narrow. Can’t believe she almost actually just cried for this fucker. And now, her own walls going up, she stands. Looks down at him for a moment... But there’s nothing left to say. So she goes. Once she’s gone, SETTLE ON SAWYER. Watching her walk away. Clutching that letter. - Citation :
- KATE
But there’s nowhere to go. SAYID Someone has to walk the shore. Map the island. See what else there is. Find a means of escape. (beat) I can’t think of a better person to do it then the only one I trust. Kate looks at Sayid - she knows better than to try to talk him out of it, so she merely nods - - and Sayid returns the nod. SAYID (CONT’D) I hope we meed again. Under... * happier circumstances. And with that he’s gone. Kate turns back to the beach, takes a deep breath, and that’s how long it takes for her to realize that a tear is dragging down her cheek. là je pense que kate pleure à cause de tout, le passé de sawyer, et de réaliser à quel point sa vie a été dure puis sayid qui s'en va à cause de tout cela. | |
| | | Amy Modérateur
Nombre de messages : 987 Age : 33 Date d'inscription : 08/03/2006
| Sujet: Re: scripts scène skate Lun 18 Sep - 19:23 | |
| Merci beaucoup!!!! (heureusement que tu as souligné ce qui était important parce que j'ai un peu la flemme de tout lire là en plus j'ai pas trop le temps!!! ) C'est vraiment génial ce qui est dit là. Après ça, qu'on vienne pas nous dire que la relation Skate n'existe pas (méchants Kackers méchant ... ) | |
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| Sujet: Re: scripts scène skate | |
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